top of page
  • Jun 30, 2025
Richard Chartrand, on the right, is the author of Bad Karma and Bad Karma II. Photo by Del Chatterson.
Richard Chartrand, on the right, is the author of Bad Karma and Bad Karma II. Photo by Del Chatterson.

SPENT THE WEEKEND at the Toronto International Festival of Authors’ MOTIVE event at the University of Toronto's lovely Victoria College. Crime Writers of Canada's author tent was outdoors, and the weather co-operated.


My table mate was Richard Chartrand, a crime writer I had never met before. After we'd introduced ourselves, I asked him about his two novels, Bad Karma, and its sequel, Bad Karma II, which were displayed on the table in front of him. He told me the novels revolve around a vigilante group that targets corrupt executives who cheat the system and defraud their innocent victims.


The story sounded familiar.


Then I remembered that four years ago, I’d taken part in Crime Writers of Canada’s mentorship program. I was paired with an unpublished author to critique the first 30 or so pages of his novel-in-progress. I read the pages I was given, the opening of a high-action novel, wrote a critique and sent it off to the CWC organizers, who then sent it off to the writer. The partnership was anonymous; neither of us knew who the other person was.


I realized I was sitting beside that anonymous author. Richard Chartrand was now a published author of two novels, with a third coming out soon. My husband, Ed, visited the table, heard our story, and bought a copy of Bad Karma.


Richard told me that he’d appreciated my critique. Although I liked the premise and his characters, I’d found too much backstory—details of protagonist Malcolm Jennings’ earlier life—in the opening pages, breaking the story’s momentum. I suggested that Richard weave these details throughout the book, perhaps saving an important detail for a special moment later in the novel. Perhaps omitting some details that were more important to him as an author than to the reader. Backstory, as the word implies, belongs farther back in the book.


Richard said he subsequently rewrote the opening chapters, paring down the backstory and focusing on the action.


It was a real thrill to discover that a book I’d played a tiny part in shaping was now out in print, fully launched, and with a sequel!

 
 
 

THIS WEEKEND, Crime Writers of Canada authors will have a special niche at MOTIVE, the Toronto International Festival of Authors' annual festival of crime and mystery writing at the University of Toronto's Victoria College. You'll find 18 CWC authors and their books in the CWC Authors' Tent in the Victoria College quad from 11 a.m. until 5 p.m. on Saturday and Sunday.


Please drop by and visit us while you are at the festival or in the neighbourhood.


A Saturday afternoon panel at 5:30 p..m., "One Year Later," will feature four new Canadian crime writers--Angela Van Breemen, Steve Urszenyt, Alexis Stefanovich-Thompson, and C. Fitton--discussing the highs and lows of the first year of their authors' journey with author Jass Aujla. The panel discussion is free of charge to the the public.


A Sunday afternoon (4 p.m.) Author Talks will showcase six CWC authors reading from their new works: Alice Fitzpatrick, Des Ryan, John Hill, Marjorie De Luca, Ray Critch, and Rosemary McCracken. Also open to the public.


Victoria College is at 73 Queen's Park Crescent on the University of Toronto campus.


Check out all the MOTIVE 2025 events here.






 
 
 
Photo by Bradford Dunlop
Photo by Bradford Dunlop

MESDAMES of MAYHEM Lisa de Nikolits, Madeleine Harris-Callway and I drew a full house at Toronto's Maria Shchuka Library yesterday for our talk about our writers' journeys. Librarian Maureen Copping did a marvelous job of organizing the event.


Another reminder that librarians are authors' best friends!

 
 
 
Lake water 1.jpg
bottom of page